Hey everyone out in minaret land! It's been quite a while since I posted a message but this group is just getting a little to big for my taste. Anyway, here's a little info for you guys. DMB and BHT are playing an outside show at the Edge in Orlando on April 10. This is the same place phish has played for the past three tours. It's an unbelievable place to see a show. They will also be in Gainesville on the 13th at Florida Theatre, yet another cool place. And just as you thought the week(end) couldn't get any better, on April 8th , the Greatful Dead and the Black Crowes are playing at Tampa Stadium. If anyone needs any info about these shows, please feel free to e-mail me. Also, I would love to get some of the veteran Minarets together before the Orlando show. We attempted this last fall in Atlanta but I don't know if it ever panned out. We could all grab some grub and brews and whatever else. See you guys later. Hatton Rollins College, Winter Park FLTop Permalink
distributed through a tree today -- unfortunetly I missed out on the tree. Is there anyone out there that would be willing to make a copy of this two tape collection? I don't currently have any DMB stuff to trade -- but hopefully :) I will be getting in some tapes in the mail next week or so. Right now I do have some live/rare alternative stuff (+Live+, Smashing, PJ, Nirvana, Counting Crows, etc.) though. Thanks much!Top Permalink
talking about dave and then they said they were going to be giving tickets away for a show april 5 in the city does anyone know about this?Top Permalink
hey now! well in light of recent flames and threads posted to this mailing list in the last couple of days, i would like to adress all of the newbies in the group. first of all, welcome! you are now hooked into a great forum for dicussion of all things related (but not always) to The Dave Matthews Band. i would suggest that the first thing you do, is gopher of ftp to archive.phish.net, and read or get yourself a cop of the DMB FAQ. if you do, then we won't have little wars over "stoopid questions". cool? on a different note, please don't grovel for tapes on your first day. just wait, and i promise that you will see a NEWBIE OFFER. if you don't, then politely post a tape grovel. you will get replies (we're pretty kind here, but not always prompt). if you want to ask a question, but are embarrased to ask everyone, then by all means ask me! i don't pretend to know all about the band, but i know my fair share having been here for almost 8 months, and haing been a fan even longer. here are a questions about the "in memory of anne" dedication in UTTAD questions about anyones sexual orientation questions pertaining to whether or not dave has HIV posts that flaunt your love for ants marching and satellites anything else is fair game though. just lurk long enough, and most of your questions will be answered. promise! talk to you later..... @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ ! ! ! OGES ! ! (a.k.a. Jonathan Oglesby) ! ! 1-800-HELP MYSELF ! ! Catholic University, Washington,D.C. ! ! "Having a wonderful time. Wish I was ! ! here." - Zippy the Pinhead ! ! ! @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@Top Permalink
version of rhyme+reason i have on a tape, from trinity college 11-13-93 have lyrics which are totally different than the ones printed in under the table and dreaming? the song is totally different, and in my opinion better than the cds and other versions. dave talks about africa and other stuff - at times it sounds like he forgot some words and was just winging it on stage but thats just a guess.Top Permalink
copies of this year's NYE show in Richmond, VA. If anyone wants to trade for this great show, send me your lists. I am especially looking for some Ominous Seapods or Leftover Salmon. Serious traders only please.Top Permalink
Apparently in the early days, Rhyme and Reason had diferent lyrics almost every time it played. The sound also changed from show to show. I agree that some of these older versions are much better than the more recent ones. The first time I saw dmb back in 93, R+R is the song that still to this day sticks out in my mind. It is a great song. I will say that some shows I have with Peter still in the band, this song is really,really different. It is kinda cool to here the funky keys in this song. Oh well. Also, I have a question for anyone who may have the answer. I see a tape floating around, and I have it. The problem is it is labeled different on each list. On my tape it is listed Acoustic on side A and Trax 1/5/92 on side B. I don't want this to come across dickish, but I would prefer if there were not replies that said "My tape is labeled Acoustic Studio from 1/5/92 and unknown date from Trax." I hope if there is anyone who knows for sure what the exact date of either side of this tape is, he or she would e-mail me personally and let me know. To all I owe tapes to, I put some in the mail today, and the rest should go out Monday or Tuesday. Sorry it is taking me so long..........tomTop Permalink
I found out from someone that the March 17th show in Chicago was taped by ABC and that it will be airing on April 21st. I'm not sure exactly what will be showed or what the content of the entire "ABC in concert" is, but BHTM will get air time and hopefully DMB also. Anyone know anything about this? On another note, just a quick question to everyone... What do you guys think of Get In Line.. reminds me of Rhyme in Reason a lot. Everytime I listen to it, I feel like singing "until I'm dead and gone... my head won't leave my head alone....", to me it's definitely different - set apart from the feel of his other works, anybody got some real background into this song? alan I was at the show and I heard DMB, BHT and Freddy Jones Band will be feature on April 21st on the ABC series.Top Permalink
If anyone has any info on the rumor about the DMB playing in NYC on April 5th, please get back to me!!!!!! Thanks- Jeff RobbinsTop Permalink
Hey, a local radio station around here.... in Vestal NY.... does a thing with announcing birthday's every morning... and by surprise I heard there... Is that the one they are talking about, or is it the ever famous Dave that we should be dicussing about on this net? I find it odd that no one mentioned this in the last few days, but then again why would we post something like that? All we seem to talk about is *&^=.... I'm not even going to write it, but if you know what I am talking about then it is definitely getting out of hand... So who's birthday was it? Well I hope this stirs about some new topics of conversation on this net... I sure as hell would like to see something positive for once... I know I am contradicting myself by writing this, but let's begin after reading this message, OK? That is if you read this far already... Thanks...Top Permalink
Here's another lonely friday night's work - I did this one earlier and it just didn't quite sound right - This is much better. SOMEBODY PUT THIS IN THE CHORD FILES!!! (I don't want to have to keep sending this out) Once again - use much muting and sliding ***Recently*** - Dave Matthews Band Intro e---------------------------------|---------------| |---------------------- E---9----7----7----5----5----3--3/|---------------| |---------------------3 Verse "Recently I've been...." e--------------------| E--3---------------3-| Chorus "People stare....." "Walk and Talk...." e-------------------------| E--7--5--5--3--3/--0--7--5| Bridge "People stare...." e--------------------------| E--3----------3----------3-| The bridge and chorus parts are often switched live and on the recently cd.Top Permalink
Here's R&R again - many have asked for a repost SOMEBODY PUT THIS IN THE CHORD FILES!!! (I don't want to have to keep sending this out) I just kinda decided to do this one because it sounds so sweet - especially if you've ever heard it in an early form Dave Matthews Band - Rhyme and Reason (From 10-29-92???) VERSE ****Played Fast**** (16ths?) Oh Well, oh well, so here....... e------------------------------------------------| E--------------6---8----x-8-x-8--8--6------------| CHORUS My head.... e----------------------------------------| E-------3-------------------------5------| EXIT My Body... e-----------------| E--3--------5-----| One hint to this song...use lots of muting and sliding.Top Permalink
OK, someday I'll stop posting strange messages in the middle of the night, but here we go again... After spending the last two evenings watching two KIND ball games (being If DMB were a ball club, who whould play what positions and why? court (affectionately known as the Warehouse, of course), DMB is down by a single point. Carter comes steamrolling down the court, passes to Stefan at the three point line who tries for the shot, but can't quite get around that defender so he lobs it to Boyd who TAKES THE GAME with a BEE-YOU-TEE-FUUUL fadeaway jumper! The crowd (tongue gaping stare) bursts into chorus ("we've GOT the best of what's around") led by the team of dancingnancy cheerleaders, the monster (for him to fight our wars for us) mascot, and even a few die-hard grannies who throw down their canes and JAM to THIS jimi thang! It's definitely a song that dick vitale likes ("they're amazing, BAY-BEE"). Screaming from the minarets we head for the border to cool down with a mexi-melt and a little dmb muzak (kudos if you remember that series of posts). Oh, now I've gone and gotten myself all excited. I'll never get to sleep now. Cold shower? quite picture the opposing team....any suggestions? I realize of course that this is hardly serious dave content, so anyone fearing being flamed for wasted b/w can certainly reply directly. Unless of course you're willing to go out on a limb with me and make this net fun (again). (subliminalmessagegoforitbearebelhavesomefun) Peace and good night. Think I'll go count dribbling balls to get to sleep... "The good ole song of wahoowa, we'll sing it o'er and o'er. It cheers our hearts and warms our blood to hear them shout and roar..."Top Permalink
Just to lst you all know... Don't ever fear the power of Disco. Just got back from my dance therapy session and I am much better for it. Help needed #1 Last summer caught Dave at the Paridise in Boston. Not sure of the date, but it was the day I hit the kid on the bike with my car if that helps 8-) I am looking to get the setlist of this show, can't remeber what the hell I saw. #2 I am looking for some FAT LOS boots. I am here in Boulder the LOS capital o' the world, but l;ack boots. Looking for some HQ SBD's have much Phish and some very nice Dave to offer. Thanks for all this talk of #36. Had along day at work today, but all I could do was sing "Hani, Hani come dance with MEEEEE" Try it some time, really lightens up your day. Peace BradTop Permalink
well in case you missed Shannon Worrell last night at FEZ, you must know that Jeff showed up and played 4 tunes. twas quite good..... see ya sethTop Permalink
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HEy Brad, DMB does play 2001 in at least one show. It is a Kappa Epsilon show around 3/93. They start off with the ballroom waltz, melt into 2001, then start jamming Ants!!!! It's really amazing!! I almost had a load when I heard it for the first time!! If anyone out there has another version of 2001 with DMB, let me know!! Peace Seth Goldberg-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-Goldberg@Rochgte.fidonet.org That way, nobody can capture me.....They can use the hell out of me, but there ain't too much they can do to me. They can mess me up, play the wrong note, they can play a C, but they can't really destroy a C. All it is, is a tone...So I'm gonna come back as a note. _-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-Top Permalink
Lord, That setlist reminded me of the early days, how long did they play for about? I would have loved to be there, how was the venue?Top Permalink
I just read a message about the London setlist and how great it was. Did I just zip through it and not pay it any attention? I don't remember seeing this setlist! If anyone out there has it, could you please send it to me? And one more thing. Hate to do this, but......GO UK WILDCATS!!!!!Top Permalink
Good call, Jeff!!!!!!!Top Permalink
i am digested so maybe this has been posted already but a friend brought to my attention that dmb will be on the "chillin with the weez" spring break show on mtv this afternoon. i don't know how long i can put up with the mtv garbage, but i know dave will make it worthwhile. again, sorry if this is repititive but i know we all like to catch dmb whenever possible. Erik Knowles "The one serious conviction that man Lehigh University should have is that nothing is to be dek2@lehigh.edu too seriously."Top Permalink
Quick! If you are on the east coast, turn on MTV! DMB is on "Chillin' With the Wiez" with good old Pauly Shore. Hurry... 2:20 EST. try and ignore the lameness of mtv for a second!Top Permalink
always welcome buns of steel lady, Pauly Shore, and one of those Baldwin's all at the same time. I can't believe the band put themselves through that crap. I don't think anyone in the crowd was even listening. of well, does anyone know when that was taped?Top Permalink
----------------------------Original message---------------------------- i heard from someone on the net that the dave tree structure was posted recently. i was signed up to be in that tree, i still have the subscription message in my files if you'd like it, but i didn't get any notice of the structure. is it true that it was posted? or was that just a rumor, b/c i would really like to still be on that tree. let me know... shalom, pam "Imagine that the sun itself is your heart and shine on infinitely without looking back..." --------------------end forwarded text--------------------------------- pam sent this to me........ if someone said the structure was posted, then they lied im not even finished with it yet.......... but i do have the dat people all set........ keithTop Permalink
i just caught the "wwys" filler during the ncaa coverage. wondering what all of you out there thought about it. i like the success they have recently experienced, but is this a bit too much? is it getting too comercialized? i just hope that rca doesn't sell them out too much. i know dave doesn't want to go overboard, but i am sure rca will try their hardest to. Erik Knowles "The one serious conviction that man Lehigh University should have is that nothing is to be dek2@lehigh.edu too seriously."Top Permalink
The H.O.R.D.E. Show WZBT 91.1 FM Hosted by Jim Moeller Gettysburg College Saturdays, Noon - 1:00 pm Gettysburg, PA 3/25/95 "Hellfire".............................God St. Wine, "Who's Driving?" "Love of My Life"......................Blues Traveler, "Save His Soul" "Slow Burn"............................Screamin' Cheetah Wheelies, single "Full Circle"..........................Oroboros, "Serpent's Dance" "Guelah Papyrus".......................Phish, "Picture of Nectar" "Jimi Thing"...........................DMB, "UTTAD" ("Name That Tune" "Southbound"........................Allmans, 7/31/94, Shoreline Ampith., CA Comments and criticisms greatly appreciated!Top Permalink
Is it just me, or are these files rather incomplete? I mean, all the songs are there (mostly), but the tabs are not very good. A lot of the tabs are simplified, poorly written, or just plain wrong. I don't mean to bash anyone who worked on them, but they remind me of "EASY GUITAR TABS" that I have seen at my music store, where they take songs and simplify them so beginners can play them. If anyone has any tabs other than from these chord files, I think they should be posted here. Also, they should be put on nevada.edu. There are only about 4 DAMABA songs there as of today. If anyone would like to work with me on a new tab file, drop me a note. I have a nice little DOS tab program that makes it all very easy. So if you are interested, I'd love to start working. --------JayTop Permalink
I caught the WWYS filler, and personally I think it's great that DMB is being discovered by the rest of the world. "Chillin' with the Weiz" may be a little much, but CBS has used a wide variety of great music as filler, and we should all be glad that DMB is becoming more popular. We wouldn't want Dave to starve, would we. As long as the music is good, no one has any right to say that Dave is "selling out". To me, that connotes great publicity with little else behind it. We all know that there is a whole buttload of great music behind DMB's publicity. -MattTop Permalink
since a lot of people seem all of a sudden intent on dave chords, well, here they are. if you want to change something you think is wrong, go right ahead. there are lot of songs here from before i was in charge of it, and i haven't updated many of those songs... *** DAVE MATTHEWS BAND CHORDS FILE *** As many Dave songs used to be, this is a continual work in progress. It should be pointed out that this is far from a professional tab file. Most of these transcriptions are done by college students, and as we all know, college students can't be trusted with anything. If there are any mistakes, and there will be, don't hesitate to send me some email pointing it out. My address is nebulous@panix.com. And if there is a song not here that you think should be, the best thing to do is to transcribe it yourself! This action packed issue contains pieces, parts, or full blown transcriptions of... R2T = Remember Two Things (Bama Raga Records) UTTAD = Under The Table And Dreaming (RCA Recods) u = Unreleased Index of Song Titles By Transcriber Jon Bolton (jrbolton@COLBY.EDU) - Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) - Andrew T Cox (acox@s850.mwc.edu) - Kwon (BH7N@MUSICB.MCGILL.CA) - Shawn Peters (gsp2m@uva.pcmail.virginia.edu) - Ben Sterling (nebulous@panix.com) - Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) - Wallyjive@aol.com - But before we begin our journey, the lovely yet devious Rick Thompson, keeper of the lyrics file, has information SOMEONE must deem important to The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) and Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) All Along The Watchtower (Bob Dylan) ------------------------ look in any songbook...people play it in different keys anyway Am G F He also plays, especially during Leroi's solo... e-------------| B---1----3----| G---0----0----| D---2----4----| A---3----5----| E-------------| The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) Angel From Montgomery (John Prine) --------------------- add lots of suspensions and picking G C G C G C D G G F C G :| The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) and Ben Sterling (nebulous@panix.com) Ants Marching ------------- The little 4-5-4 etc. riff is actually played by sort of sliding up two notes, but this sounds good enough for me. E--2-----------------3--------------------| B--3-----------------0--------------------| G--2-----------------0--------------------| D--0------4-----4----0------5-----5-------| A-----4-5---4-5---5--2--4-5---4-5---5--7-| E--------------------3--------------------| Bm D G Bm A Bm D G Bm A... Violin & Sax Lick - e-------------------------------7--8--10--7--8------7---------| B---7--8--10--7--8-----7------------------------10-----8--10--| G-------------------9-----7--9--------------------------------| D-------------------------------------------------------------| x3 A-------------------------------------------------------------| E-------------------------------------------------------------| e-----------------------------7------7--9--7--9--10-----------| B------7--8--7--8--10--8--10-----10---------------------------| G---9---------------------------------------------------------| D-------------------------------------------------------------| A-------------------------------------------------------------| E-------------------------------------------------------------| Bridge - "When all the little ants are marching..." e---3---2-----0--- ----------------| B---3---3-----0--- ----------------| G---0---2-----0--- ---4---4---4----| D---0---0-----2--- ----------------| A---2---0-----2--- -----------2----| E---3---2-----0--- ---3---2---0----| The following is courtesy of Kwon (BH7N@MUSICB.MCGILL.CA) Best of What's Around --------------------- (from 7/6/93) Verses e------------------------------------------------------------ b------------------------------------------------------------ g----------5------------------------------------------------- d--------7---7-7 -10---10----3-3-3---12-12-12--12-12------- a--------------7--10---10----3-3-3----9--9--9---9--9------- e--2 5--------------8-------1-1-1---10-10-10--10-10------- e------------------------------------------------------------ b------------------------------------------------------------ g----------------5------------------------------------------- d-5-5-5--------7---7----------------------------------------- a-3-3-3------------------------------------------------------ e--------2 5----------------------------------------------- Chorus 1 e--5----0------2------0------------------------5------------- b--5----5------2------5------------------------5------------- g--6----6------2------6---7-------2----1-------6------------- d--7----6------4------6---4-------2----2-------7------repeat- a--7----4------4------4---5-------0----2-------7------------- e--5-----------2-----------------------0---4---5------------- Chorus 2 Outro The following is courtesy of Ben Sterling (nebulous@panix.com) Blue Water ---------- e--0------------0-----| B--0------------1-----| G--0------------0-----| D--2--2/4\2--0--2-----| A--2------------3-----| E--0------------------| The following is courtesy of Kwon (BH7N@MUSICB.MCGILL.CA) Christmas Song -------------- most of these are taken from 7/6/93 = slide h=hammer on p=pull off b=bend e------------------------------------------------------------- b------------------------------------------------------------- g--7---7-0---------------------------------------------------- d--45-4-0--7---7-0--5----repeat------------------------------ a-----------45-4-0--2---------------------------------------- e------------------------------------------------------------- e------------------------------------------------------------- b------------------------------------------------------------- g--7---7-0---------------------------------------------------- d--45-4-0--7---7-0--5--------3----5-----repeat--------------- a-----------45-4-0--2--------5----3-------------------------- e------------------------------------------------------------- Chorus (love,love,love) When Jesus... blood of my G Bm G A Bm G A Bm G A Bm {G A Bm--repeat} The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) and Ben Sterling (nebulous@panix.com) Cry Freedom ----------- E---------0-----------0--------------- -2--2--0--4----| B---------2-----------0--------------- -2--3--0--4----| G---------2-----------1--------------- -4--2--2--6----| D---------2-----------2--------------- -4--0--2--6----| A---------0-----------2--------------- -2-----0--4----| E------------4--2-----0--------------- -2--------4----| The verses are really, as Shawn stated before, combos of E, A, and B... however, a basic idea of the verses and "hands and feet..." sections would "how can I turn away..." A B/A A E E E B A B/A A... e--------- --------| B--5--7--- -2--4---| G--6--8--- or -2--4---| D--7--9--- -2--4---| A--0--0--- -0--0---| E--------- --------| intro is for "future... better days." e------------------------| B------------------------| G--------7----------6----| D--11----7------7---6----| A--9------------7---4----| E--7-----5------5--------| The following is courtesy of Jon Bolton (jrbolton@COLBY.EDU) Dancing Nancies (transcribed from Recently) --------------- I suck at tabing out strumming patterns so you have to use your imagination. The trick is a lot of control and a lot of muting. -----------------0-0-0-0-2-------------------------0-0-0-0-2-- --0---0----------0-0-0-0-2--------------0----------0-0-0-0-2-- --4---4---4--4----------------------3---3---3---3------------- --5---5---5--5----------------------4---4---4---4------------- --5---5---5--5----------------------4---4---4---4------------- --3----------3----------------------2-----------2------------- finger which bars the 2nd fret on the first two strings. G6 F#7(sus4) G6 F# "He stands, touch his hair, shoes untied, tongue gapping stare." .. . . Then I Look up at the sky, my mouth is open wide. . . .. . . time, time we almost become dizzy (back to verse) * Dave and Tim play different inversions of these triads all over the neck, but they're pretty easy to figure out so I'll leave it up to the reader Sing and dance, I'll play for you tonight, the thrill of it all . . . If anyone wants to learn the solo THEY can try and figure it out. The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) and Ben Sterling (nebulous@panix.com) Drive In, Drive Out ------------------- E-|----------------------------------------------------|----------------------| B-|----------------------------------------------------|----------------------| G-|----------------------------------------------------|----------------------| D-|---5-4-0-x---x-x---x---[repeat-3-times]---5-4-0---5-|--5----7----9---------| A-|---------4-h-5-4-h-5--------------------------------|--x----x----x---------| E-|-5--------------------------------------5-------3---|--3----5----7---------| Big Jam- e------------------------------------------------| B------------------------------------------------| G------------------------------------------------| D--------7--5-4------------------------------7---| A-----7----------7-5----------5-----5-----7------| E--5------------------8-7--3-----3-----5---------| and the sax lick over this... e----------------------------| B---12--10--8--7-------------| G---12--11--9--7---9--7------| D-----------------11--9------| A----------------------------| E----------------------------| then... more sax. e--------------------- ---------------------| B--------------------- ---------------------| G--------------------- -11-14-11------------| D---9-12-9------------ x4 ----------14-12-14---| x4 A----------12-10-10--- ---------------------| E--------------------- ---------------------| The following is courtesy of Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) Granny ------ e--0-0--0--0------0-0--0------------------------------------------- B--5/7--7--5------3/5--3----------------------------------------- G--7-7--7--7------2/4--2------------------------------------------ D--7-7--7--7------0-0--0----------------------------------------- A------------------------------------------------------------- E--------------------------3-3-3-2-0------------------------------- D A#/Bb G "I said LOVE will come to you....." the "stop, baby " whatever part im kinda confused on, but i know the "you cant see what i cant find" is F C The following is courtesy of Ben Sterling (nebulous@panix.com) and Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) Halloween --------- Verse- e---------------------------| B---------------------------| G---------------------------| D-------3----9---10---------| A---------------------------| E---1--------7---8----------| Chorus- Am G F E Bridge- "Why you run around here?" Am Bm The following is courtesy of Ben Sterling (nebulous@panix.com) Help Myself ----------- Intro e-------------- -----------------------------| B-------------- -----------------------------| G--------0----- -----------------------------| D--2--4--0----- etc --------4--2--------4--2--5--| A--2--4-------- --2--3--------2--3-----------| E-------------- -----------------------------| Verse e-------------------------------------------------| B-------------------------------------------------| G-------------------------------------------------| D-----------------3--------4--2--------4--2--5----| A-----4--5-----4-----2--3--------2--3-------------| E--3--------5-------------------------------------| Bridge "oooh colder grow the days" e-------------------------------------------------| B--2-------------------2--------------------------| G--2---1---------------2---1----------------------| D--2------2-----2------2------2-------------------| A--0---------4-----4---0---------5--5--5--4--2----| E------0-------------------0----------------------| Pre-Chorus For some reason I can't seem to get the chords to sound right... "summer's here..." e-------3---2----3-----------| B---2---3---3----3-----------| G---2---0---2----0-----------| D---2---0---0----0-----------| A---0---2---0----2-----------| E-------3---2----3-----------| Chorus "Dangerous hours" Same as the intro The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) I'll Back You Up ---------------- I'm just going to list the chord changes, not the picking...just listen to it and you'll get it. E--0----0------2----0--| E--0---0------1----0--| B--2----0------2----0--| B--2---0------1----0--| G--2----4------2----1--| G--2---0------2----1--| D--2----2------4----2--| D--2---2------3----2--| A--0----0------4----2--| A--0---0------3----2--| E-------4------2----0--| E------3------1----0--| The following is courtesy of Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) Jimi Thing ---------- - 0 - 9 9 9 2 5 - 9 9 9 9 2 6^7 - 9 9^11 9 9 2 7 7 - 7 9^11 0 - 7^9 9 7 12\ "if you could keep me floating, just for a while you..." D C "till I get to the end of this...." - - 2 - 2 X X X - 2 X X X - X X X X - 5 3 2 1 - 0 0 0 - 0 0 2 - 1 1 2 X X X - 2 2 2 X X X - 2 2 X X X X - 0 4 5 3 2 1 and the bridges are just E and A. The following is courtesy of Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) JustAJam -------- The following is a little transcription to the riff the in the jam written at the horse Center that preceed Halloween at both the Horse Center and Wait Chapel E--------------------------------------------- a---------3--4--5-----------5--6--7----------- d-----3-----------------5--------------------- g--5-----------------7------------------------ b--------------------------------------------- e--------------------------------------------- The following is courtesy of Kwon (BH7N@MUSICB.MCGILL.CA) Lie In Our Graves ----------------- I think the intro goes more like this. Play it and tell me what you think. (I think Dave does it like this.) Intro and Verses e-2--2-2-------2--2--------------0------------------------------ b-3--3-3-------3--3--------------0------------------------------ g-2--2-2-------4--4---------2----4----strum G------------------- d-0--0-0-------4--4---0-2-4---2--0------------------------------ a---------4-2--2--2--------------2------------------------------ e--------------------------------3------------------------------ e-2--2-2-------2--2--------------3-333-------------------------- b-3--3-3-------3--3----------2---3-333-------------------------- g-2--2-2-------4--4---1-111--2---0-000-repeat from top---------- d-0--0-0-------4--4---2-222--2---0-000-------------------------- a---------4-2--2--2---2-222--0---2-222-------------------------- e---------------------0-000------3-333-------------------------- and I'm blown away e-2-2-2--------------------------------------------------------- b-3-3-3---------------1-1-1--0h2p0---------repeat-(3x)---------- g-2-2-2-------2-------2-2-2---------4-2-4----------------------- d-0-0-0---0-4---4-0---2-2-2------------------------------------- a---------------------0-0-0------------------------------------- e--------------------------------------------------------------- e-2-2-2--------------------------------------------------------- b-3-3-3---------------1-1-1--0h2p0------------------------------ g-2-2-2-------2-------2-2-2---------4-2-4---555--75--5--5------- d-0-0-0---0-4---4-0---2-2-2------------------------------------- a---------------------0-0-0-----------------333--55--3--7------- e--------------------------------------------------------------- The following is courtesy of Ben Sterling (nebulous@panix.com) and Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) Lover Lay Down -------------- Verse- e-------------------------------------| B-------------------------------------| G------2/4----4/6----6/7------7-------| D------0-5----5/7----7/7------7-------| A-------------------------------------| E---2------3------5-------5/7----5----| Chorus- e-------------3----2-----------| B---2----5----3----3-----------| G---2----4----0----4-----------| D---2----2----0----4-----------| A---0---------2----2-----------| E--------4----3----------------| That's it That's all The following is courtesy of Shawn Peters (gsp2m@uva.pcmail.virginia.edu) The Maker (Daniel Lanois) --------- E-|---------------------|-----------------------------------------------------| B-|---------------------|-5---------------------------------------------------| G-|---------------------|-6---------------------------------------------------| D-|---6-5-\-6-/-5-\-6---|-6-----9------6-5-\-6-/-5-\-6------6-5-\-6-/-5-\-6---| A-|---7-6-\-7-/-6-\-7---|-4-----9------7-6-\-7-/-6-\-7------7-6-\-7-/-6-\-7---| E-|-0-----------------7-|-------7----0-----------------7--0-----------------7-| E-|--------|------------------------------------|-----------------------------| B-|--------|--------------5---------------------|-----------------------------| G-|-rep-1x-|--6-------9---6---------------------|-----------------------------| D-|--------|--7---9---9---6---7---9----6-```----|-----------------------------| A-|--------|--7---9---7---4---7---9----7-```----|-----------------------------| E-|--------|--5---7-----------5---7--0---```----|-----------------------------| The following is courtesy of Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) Minarets -------- Main riff is as follows E-------------------------------------------------------------- B-------------------------------------------------------------- G------------------------------------4---2---1---1/2---2---1--- D--9---7---6--6/7----7---6-----------2---2---2---2/3---2---2--- A--7---7---7--7/8----7---7-----------0---0---0----------------- E--0---0---0--------------------------------------------------- And the other riff is E-------------------------------------------------------------- B-------------------------------------------------------------- G-------------------------------------------------------------- D--------11--7---------------------------6/7\6----------------- A-----9----------11--10--9--8-----7--8-----------7/8\7--------- E--7---------------------------5------------------------------- take this right into first riff just another memo from the cellar, *-----------------------------------------------------------------------* | 'history has recorded ben sterling... | | some pretty nasty things new york, ny... | | that have happened to nebulous@panix.com... | | people i think we orange tic tac connoisseur... | | remember i think it's | | in our cells and i think | | it can still hurt sometimes' ...tori amos. | *-----------------------------------------------------------------------*Top Permalink
The following is courtesy of Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) #34 --- #34 (main riff) - - - 11 7 6 - 9 9 6 7 7 - 7 7 9 5 9 5 /7 7 9\ - 5 The following is courtesy of Ben Sterling (nebulous@panix.com) #36 --- e-------------------------| B-------------------------| G------10-9------9-7------| D--------------------10---| A---8---------------------| E-------------8-----------| That's about it for the whole song. He uses variations like crazy, but that's the general skeleton. e------------------------------------13-13-12-10-----| B--------8----------10-8-------8-----------------13--| G---9-10---9---9-10-------9-10---9-------------------| D----------------------------------------------------| A----------------------------------------------------| E----------------------------------------------------| The following is courtesy of Kwon (BH7N@MUSICB.MCGILL.CA) Intro is courtesy of Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) One Sweet World --------------- 1 suite whirrled (intro) - - 4 6 4 - 3 3 0 0^1^0 3 0 - 3 3 3 - 6 5 5 3 1 3 3 - 4 5 5 - - - 4 5 3 - 5 7 3 0 3 0 3 - 5 5 3 3 6 6 8 - 8 7 6 1 4 6 8 after fingerpicking e---------------------------------strumming the "A" chord------- b--------------------------------------------------------------- g-8--7--5-------------57---7--5-------------------------------- d----8--6---------35----------6-------------------------------- a-------------5-3----------------------------------------------- e-8--6--4---4-------------6-6--4-------------------------------- Verses e--------------------------------------------------------------- b--------------------------------------------------------------- g-----8-7--810-10-xxx-xx--------------------------------------- d-----8-8--810-10-xxx-xx--and repeat--------------------------- a---6--------------xxx-xx--------------------------------------- e---------6----------------------------------------------------- so let us sleep.... lay down e--------------------------------------------------------------- b--------------------------------------------------------------- g--------57---7--5--7-----------57---7--5--------------------- d----35----------6--8--------35---------6--hold and strum----- a--3------------------------3----------------------------------- e------------6-6--4--6---------------6-6--4--------------------- take all that we can get one big stone e--------------------------------------------------------------- b--------------6--8---------------------8----6------------------ g--8--7--8-----7--8--7-----8--7--5------8----7------------------ d-----8--------------8--------8--6------------------------------ a--------------5--6-----------------46-6--5-5------------------ e--8--6--8-----------6-----8--6--4------------------------------ "nobody left to" is like "so let us sleep". The following is courtesy of Ben Sterling (nebulous@panix.com) Pay For What You Get -------------------- Intro- / = Slide Up e --------------------------------------------------------| B --9-10--8--------------------9-10--8--------------------| G --9-10--9----7--7---3---5--5-9-10--9---5--5--5---7--7---| D -------------7--7---3---5--5-----------5--5--5---7--7---| A -------------5--5---1---3--3-----------3--3--3---5--5---| E --------------------------------------------------------| Verse- e --------------------------------------------------------| B ---------------5----------------------------------------| G --7--7--7--7---5---5---2---3---2------------------------| D --7--7--7--7---3---5---2---3---2------------------------| A --5--5--5--5-------3---0---1---0------------------------| E --------------------------------------------------------| Leading into the chorus ("everybody asks me how she's doing..."), the chord hangs on the C so the transition the the F chord is smooth. Chorus #1- e --------------------------------------------------------| B --------------------------------------------------------| G ---------3--3---5--5--5--5----------3---2---3---2-------| D --3--3---3--3---5--5--5--5---3--3---3---2---3---2-------| A --3--3---1--1---3--3--3--3---3--3---1---0---1---0-------| E --1--1-----------------------1--1-----------------------| Chorus #2- The 2nd & 3rd choruses in the song are slightly different than the 1st one. Repeat the first chorus up to, but not including, the second F5. Then it goes... e --------------------------------------------------------| B --------------------------------------------------------| G ---------3--3---5--5----------3---2---3---2-------------| D --3--3---3--3---5--5---3--3---3---2---3---2-------------| A --3--3---1--1---3--3---3--3---1---0---1---0-------------| E --1--1-----------------1--1-----------------------------| The following is courtesy of Ben Sterling (nebulous@panix.com) Rhyme and Reason ---------------- Verse - e------------------------------------------------| B------------------------------------------------| G-------------------------------------9-----5----| D--/5-----8--/5-----/5--------7---/10----5-------| A------5-----------------------------------------| E----------------6------6--8---------------------| Chorus - For all chords but the A5 it is okay to play the 3rd, which I have put in parentheses. e---------------------| B-----(5)-(3)---------| G-(4)--5---3---2------| D--5---5---3---2------| A--5---3---1---0------| E--3------------------| Between-Verse Lick (i.e. the place where Boyd and Leroi are out of tune) - e--------------------------------------12--| B----------10--13--10----------10--13--13--| G------10------------------10--------------| D--12------------------12------------------| A------------------------------------------| E------------------------------------------| The following is courtesy of Ben Sterling (nebulous@panix.com) Satellite --------- e----------------------------- B----------------------------- G----------------------------- D------8---6---5---3---6------ A----6---4---3-------4---3---- E--4-------------6------------ (or...) e----------------------------- B----------------------------- G----------------------------- D------8---6---5---3---6------ A----6---4-----------4---3---- E--4---------8----6----------- .... chorus... ('winter's cold') e-------------------------------| B-------------------------------| G----8--6-----6---6---6---------| D----8--6-----6---6---6---------| A----------6--4-------6---------| E--4--------------6-------------| bridge e-------------------------------------------| B------------------------4---6---6----------| G--------------------5---5---6---6---6------| D--------------5-----6---5---6---6---8------| A--------4--6--------6---3---4---4---8------| E--4--6-----------3--4---------------6------| The following is courtesy of Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) Say Goodbye ----------- Main Chords E---------------------------|------------------------------------------- B---------------------------|-----9----7-------------------------------- G---6-------------13----11--|-----9----7-------------------------------- D---7-------------14----12--|-----6----4-------------------------------- A---4-------------11-----9--|-----7----5-------------------------------- E---5-------------12----10--|------------------------------------------- And the chorus E------------------------------------------------------- B---3-----------5-------2-------3----------------------- G---4-----------4-------2-------2----------------------- D---4-----------2-------2-------0----------------------- A---2-----------x-------0-------x----------------------- E---------------4---------------2----------------------- And the end where he yells alot G D (same as chorus version) A and A leving the b string open The following is courtesy of Ben Sterling (nebulous@panix.com) Seek Up ------- Intro - e-----------------------| B-----------------------| G------5--5-----7--5----| D---7--------7----------| A-----------------------| E-----------------------| fingerpicking a pattern not unlike (though not exactly like) this one, e------0--------0-----------| B---------6--------6--------| G---7--------7--------------| D---------------------------| A---------------------------| E---------------------------| "Fall Back Again" Section ------------------------- Bb C Dm x4 Verse ----- Dm C Dm Chorus ------ "Forget about the reasons..." Bb C Dm Bridge ------ "Seek up an emotion..." A Bm G A Last time --------- A Bm G A (ha ha... ha ha...) Bm From the Bm, you walk up to the Dm, starting again at the verse. The following is courtesy of Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) So Much To Say -------------- this really shows my inablility to translate right hand rhythm patterns but it should get you started. i also know that this isn't perfect by opening riff (and prominent throughout the song): - - 5 5 5 5 - 5 4/5 6 5 4/5 6 - 5 7 5 7 - 7 0 7 0 -3/5 3/5 (i don't know the exact chord progression) - - 5 5 5 5 - 5 4 2 10 5 4/5 6 5 4/5 6 - 5 10 7 5 7 5 7 - 7 3 x 5 7 7 -3/5 1 1/10 10 3 3/5 3/5 A D G D played using standard bar chords The following is courtesy of Ben Sterling (nebulous@panix.com) The Song That Jane Likes ------------------------ them like this... sometimes he leaves out the 3rds, sometimes he plays abbreviated versions of these chords. Thus, I have simply transcribed full chords. Intro-Verse- (is there a better name for this section?) ------------ e---2---0---1---3---0----| B---3---1---1---3---1----| G---2---0---2---0---2----| D---0---2---3---0---2----| x2 (x3 at the end of the song) A-------3---3---2---0----| E-----------1---3--------| Verse- ------ h = hammer e---3---0---0----1---3/5--| B---3---1---1----1---1/3--| G---0---0---2----2---0/0--| D---0---2---2----3---2/4--| A---2---3---0----3---3/5--| E---3------------1--------| Chorus- ------- The chorus leads directly out of the verse, so I'll transcribe the chords to the end of the verse so you have a lead in to the chorus to hear what it sounds like. "While you "...tidy lines" e---3---0---0----1---0--------0----1---| B---3---1---1----1---0--------1----1---| G---0---0---2----2---1--------2----2---| D---0---2---2----3---2--------2----3---| A---2---3---0----3---2--------0----3---| E---3------------1---0-------------1---| The following is courtesy of Chris "Boofy" Buford (cbuford@liberty.uc.wlu.edu) Spotlight --------- Bb Dm G Am F "In the spotlight, life is so ..... F Am "A million beating ...." Am G Am G D G/B "Big city.." "Rising ...." e-------------| B-------------| G------0------| D----2---0----| A--3----------| E----------3--| Gm Bb Am "Out in the world..." I'm kinda sketchy on the words, but if you listen to the song its quite easy to figure out where all the chords go.... The following is courtesy of Wallyjive@aol.com Tangerine (Led Zeppelin) --------- The opening sequence to the song. I've left in timing counts (the song is in 4:4 as far as I can tell).. E-0---0---0---0---3-------3---2---|-2-------2-------2---2---2-2-----| B-1---3---1---0---0-------0---3---|-3-------3---3---3---3---3-3-----| G-2---2---2---2---0-------0---2---|-2-------2-------2---2---2-2-----| D-2---2---2---2---0-------0---0---|-0-------0-------0---0---0-0-----| A-0---0---0---0---2-------2---0---|-#-------#-------#---------------| E-#---#---#---#---3-------3---#---|-#-------#-------#---------------| E-0---0---0---0---3-------3---2---|-2-------2---0---0-------0---0---| B-1---3---1---0---0-------0---3---|-3-------3---1---1-------1---1---| G-2---2---2---2---0-------0---2---|-2-------2---0---0-------0---0---| D-2---2---2---2---0-------0---0---|-0-------0-------2-------2-------| A-0---0---0---0---2-------2---0---|-#-------#-------3-------3-------| E-#---#---#---#---3-------3---#---|-#-------#-------#-------#-------| E-------------------------0-----0-|-0-----3-3-----2-2-------2--2--2-| B-------------------------1-----1-|-1-----0-0-----3-3-------3--3--3-| G-----0-------0-----------2-----2-|-2-----0-0-----2-2-------2--2--2-| D---2-------0-------------2-----2-|-2-----0-0-----0-0-------0--0--0-| A-3-----3-2-----2-0-------0-----0-|-0-----2-2-----#-#-------0--0--0-| E-------------------------#-----#-|-#-----3-3-----#-#-------#--#--#-| E-3---2-------0---2---------------| B-3---3-------3---3---------------| G-2---2-------2---2---------------| D-0---0-------0---0---------------| A-#---#-------#---#---------------| E-#---#-------#---#---------------| Repeated thru Verse 1: --------------------- Am Am4 Am Am2 G G D D D .. D .. D Mea - sur - ing a sum - mers day Am Am4 Am Am2 G G D D C C .. C On - ly find it slips aw - ay, to grey [picking] Am Am Am G G D D D D4 D D2 D ............... The hours, they bring me pain ------- Am Am4 Am Am2 G G D D D .. D .. D Think-ing how it use - d to be Am Am4 Am Am2 G G D D C C .. C Does she still re - mem - ber times like these [picking] Am Am Am G G D D D D4 D D2 D ............... To think of us a - gain ------ C D G G C Verse 3: ------- Am Am4 Am Am2 G G D D D .. D .. D Think-ing how it use - d to be Am Am4 Am Am2 G G D D C C .. C Does she still re - mem - ber times like these [picking] Am Am Am G G D D D D4 D D2 D ............... To think of us a - gain And I do.. strum.. D.... D.... D.... D.... D D4 D D2 D .. D D4 D D2 D ad nauseum whatever - I didn't count them plus a couple of chords to finish.. Am Am G G F F G [some picking is done around these chord shapes, but I can't be bothered working it out - should be easy though - lots of twiddly work with pinkys etc.] The following is courtesy of Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) Tripping Billies ---------------- yes, that verse riff is as hard as it looks. the key to it (and most any dmb song) is to use your pinky for any note you can't quite reach. just practice. - - - 6 6 4 4 4 4 4 4 4 6 6 4 4 /7 7 7 7 7 - x x x x x x x x x x x x x 0 0 0 0 0 - 7 7 7 7 7 7 7 7 7 7 7 7 7 x x x x x - 5 5 5 5 5 5 5 5 5 5 5 5 5 /7 7 7 7 7 sometimes repeated once more, other times repeated many times with vocal jam this riff is used throughout the song, and is easiest to master if you use index finger for all 2s and 5s on the low e-string, your ring finger for all 3s and 7s on the low e-string, your middle finger on all 2s and 6s on the d-string, and your pinky for all 4s and 7s on the d-string. and an easier way to master this song is to watch dave carefully if you ever get the chance. it may sound like a simplistic way, but if you can get up closer to him, you'd be amazed at how his progressions stand out in your mind when you get back to your own axe, even if you were standing thirty feet away from him. - - - 2 4 2 4 7 6 2 4 2 4 6 7 - 0 0 0 0 0 0 0 0 0 0 0 0 - x x x x x x x x x x x x - 2 3 2 3 7 5 2 3 2 3 5 7 --again - - __________________________________ - 6 4\ 2 7 5 4 2 7 7 7 | --your pinky on that one | - 7 7 5 4 4 4 | --your index finger here | - /5 3 x x x | --and your ring finger should | - /5 /(7) 7 7 7 | automatically do this. | 1) we were above you were st.....neath us |________________________________| 2) dragons were smoked......were stinging - - - 6 4\ 2 7 2 4 - 7 7 0 0 - /5 x x - /5 2 3 1) we were not yet lovers 2) i would soon, to be crazy chorus (this can be filled out considerably): - - - 7 6 2 4 7 6 7 6 2 4 6 7 - 0 0 0 0 0 0 0 0 0 0 0 0 - x x x x x x x x x x x x - 7 5 2 3 7 5 7 5 2 3 5 7 "cause we're trippin' billies..." verse again. The following is courtesy of Andrew T Cox (acox@s850.mwc.edu) True Reflections ---------------- E-----0---------------------0---------------------0---------------------0----- B-----5-----5---------------5-----5---------------5-----5---------------5----- G-----6-----67-----4/6--0--6-----67-----4/6--0--6-----67-----4/6--0--6----- D-----7-----7-------5/7--0--7-----7-------5/7--0--7-----7-------5/7--0--7----- A-----0--0--0----0----------0--0--0----0----------0--0--0----0----------0----- E----------------------------------------------------------------------------- Play this through two times, then through the first verse. The verses after the first chorus are played with an A, with variations on it, sometimes dropping to a G - E-----0-------------0------- B-----5-------------3------- G-----6-------------4------- D-----7-------------5------- A-----0-------------0------- E--------------------------- The final jam is in F and Am, tailing off with 'find some inspiration... it's down deep inside of you...' The following is courtesy of Ben Sterling (nebulous@panix.com) Two Step -------- e-------| B-------| G---10--| D-------| A-------| E---10--| Verse - e--------------------------- B--------------------------- G--10--7--9---2--7---5---9-- D--------------------------- A--------------------------- E--10--6--8---1--6---5---8-- e------------------| B------------------| G--3--2--3--2------| D--------3--2--5---| A--------1--0--5---| E--3--1--------3---| Chorus - Except for the F, these should be slid up to. e-----------------------------| B-----------------------------| G----2----9----7---7----5-----| D-----------------------------| x4 A-----------------------------| E--1----8----6---6----5-------| F Bb Am Gm (leads back to the Dm, going back to the verse) The following is courtesy of Ben Sterling (nebulous@panix.com) and Shawn Peters (gsp2m@uva.pcmail.virginia.edu) Typical Situation ----------------- Verse- E------------------------------------------------------------------ B------------------------------------------------------------------ G------------------------------------------------------------------ D----9----9----9----9----9----9---9----9----9---9------9----------- A------10---10--------10---10-------10---10-------10-----10-------- E--0--------------0-------------8-------------8------7------------- play the nine on the D string with your middle finger and the 10 on the A string with your ring finger. This allows you to use your index finger for the E string notes. Chorus- G G/F Am C If you notice the end of the song and occasionally during verses where dave uses those two harmonic spurts, his hand never moves from this position with his middle and ring finger planted, he only stretches his index and pinky to the two harmonics. This is a little hard to get clean at first, but your fingers will kind of learn to reach for them this way. The 7th fret harmonics are hit with the index finger and the 12th fret E---(7)-(7)-(12)-- B---(7)-(7)-(12)-- G---(7)-(7)-(12)-- D----------------- A----------------- E----------------- sometimes the D string is added into the harmonics as well. These two harmonic chords, for lack of a better word, are sometimes thrown into the descending like in the verse, usually as sort of bridge between chorus and verse. The following is courtesy of Rick Thompson (stu_rcthomps@vax1.acs.jmu.edu) Warehouse --------- - - - 7 7 - 11 9 11 9 - 9 10 9 10 10 9 7 -7 7 - - -X X X X X X X X 7 7 7 7 7 7 7 7 X X X X X X X X 7 7 7 X X X -X X X X 1111X X 9 9 9 9 9 9 9 9 X X X X 1111X X 9 9 9 X X X -X X 9 9 X X X X 1010101010101010 X X 9 9 X X X X 101010109 7 -7 7 X X X X X X X X X X X X X X 7 7 X X X X X X X X X X X X the idea here, though, is not to set out trying to play the second one. just start basic, listen to song, play along with the song, and work on developing the fingering, which should come naturally as you work with it. the right hand never stops or changes during the almost the entire song. up and down, really fast. - - - -7 7 7 3 7 7 7 7 3 7 - -5 7 7 7 7 7 4/5 7 7 7 this is also really simplified, due to my inability to transcribe (this song is my second effort at it.) - - - -9 9 11 9 5 7 - 7 9 7 -7 3 5 The following is courtesy of Ben Sterling (nebulous@panix.com) What Would You Say ------------------ Intro/Verse/Chorus ------------------ / = slide up e----------------------------------------------| B------------4-5---------------2b--0-----------| G-------0-2----------2------2---------2--------| D----------------------------------------2-----| A-----------------0----------------------------| E--3/5--------------------3--------------------| Pre-Chorus ---------- e--1---3-------3---1---0---1---3------------------------3-----| B--1---0---1---0---1---0---1---0------------4-5---------0-----| G--2---0---2---0---2---1---2---0-------0--2---------2---0-----| D--3---0---2---0---3---2---3---0------------------------0-----| A--1---2---0---2---1---2---1---2------------------0-----2-----| E--1---3-------3---1---0---1---3---3/5------------------3-----| Behind Sax Solo --------------- p = pull off / = slide up e---------------------------------------------------------------------| B---------------------------------------------------------------------| G-------7--6---2---3---4---------------7--6---2---3---4----7/9--9-9---| D-------5--5---2---3---4---------------5--5---2---3---4---------------| A---0----------0---1---2------------0---------0---1---2----5/7--7-7---| E--------------------------0---3p0------------------------------------| Behind Harmonica Solo --------------------- Intro/Verse riff... ----------------------------End of DMB Chords File------------------------------ just another memo from the cellar, *-----------------------------------------------------------------------* | 'history has recorded ben sterling... | | some pretty nasty things new york, ny... | | that have happened to nebulous@panix.com... | | people i think we orange tic tac connoisseur... | | remember i think it's | | in our cells and i think | | it can still hurt sometimes' ...tori amos. | *-----------------------------------------------------------------------*Top Permalink
How to I get on the mailing list and the tape trees ?Top Permalink
Hey all, happy on this net. While most of us are avid traders of bagby's, it is not the best move to post set lists to the entire net. Believe me if everyone did this we would have digests (well I would since I am digestified) that would take about 20 hours to read. People have sent me some incredible lists that have been extremely long. This is great as long as it is through personal mail. Anyway, take my little thought into consideration before posting your list. Peace and happy trading in the future... PS- Jeff Peters... you were right on in your "newbie protection" post.Top Permalink
I just want to say that I have been listening to dave fo r over a year and i an a senior in high school i have about a dozen friends who have liked DMB for almost as long as me and another group who has been into them since the summer. Tenny Boppers are everywhere peace mike DMB on 107.1 right now it WWYS is a BUZZ cut ha-haTop Permalink
I don't know what the person meant about not wanting setlists posted to the net... if you meant tape lists of the shows you have, I understand, but I find it interesting to see what the band is playing from night to night. This is part of the intent of this group, to follow and discuss the evolution of the band and their music, of which the setlists are an indication. Though I do understand that it is annoying when the exact same setlist of the same show is posted five or six times... Someome asked about Rhyme and Reason - it, like most of dmb's songs, though probably more so for this song than others, had different words which changed on a regular basis. It was only last year that R&R became what it is today (with the words and with the entire band)... Also, please do not criticize those who compiled the chords file. When it was being created, a lot of songs had to be transcribed as quickly as possible. The chords file is there to serve as a foundation for your own interpretation and transcription of the songs, it was never claimed to be completely accurate. I'll admit right now, I just found out that a song that I transcribed several months ago is now part of the file, and it is incorrect in several parts. Basically, the authors had a lot to do in short time, and because of them we have the FAQ, lyrics, chords, and several other files... I think they did a great job. Andrew..Top Permalink
Hey all ya damabafa's (DMB fans), 10th at the Edge in Orlando. I fully suspect this will be indoors, not on the field as I believe I read in a recent Minarets. Ticketmaster said it would be indoors, the tickets themselves say "the Edge" as opposed to the "Edge Concert Field" which, from my experiece is a reliable indication of where the show will be. PHiSH played indoors in '93 and spring '94 before moving outdoors last fall. Blues Trav, Widespread Panic and the Samples all played indoors on their latest stops through. So what? Well, I like the Edge, and it's only a couple blocks from my home, but I believe it makes Orlando the weakest of the Florida venues. If the "meme" of crowd surfing and moshing reaches Florida, the Edge could be pandamonium, as it is a dark, alternative-industrial, black light club with the main floor designed in a pit fashion. Only a few will have an unincumbered view of the stage. Dispite all this, if Dave and the boys are in a good space, this could be a really really rocking show because the energy will be intense. 11th at Sunrise Music Theater in Sunrise, Fl. GREAT venue, reserved seating with nice isles, super acoustics, and a clear view for the vast majority, if not all. The PHiSH show here last fall exploited all of these attributes, let's hope BHT and DMB do the same. 13th Gainesville, Florida Theater. Another cool venue. It's a smallish floor that I imagine will be packed, then progresses up to a couple of bars in back with several small tiers in between. No "seats" although there are some tables/chairs and a few couches as you get progress up the tiers. Good sound, good views for the most part. It is very much of a "theater" as you would think of a movie/dinner theater type place. Last I checked with T-master ( a week ago), tix for this show were not yet on sale. That could well have changed by now. I wish they were playing at the Ritz in Tampa. Not because it's anything too special, but because that's the first place I saw DMB, just over a year ago. "cheerio"Top Permalink
Hey all, Just channel surfing a few minutes ago and stumbled across MTV and a Pauly Shore beach show, wiez.... Anyway, DMB was the guest musician!!! They didn't play anything exciting, actually, they didn't play much at all!! They played WWYS and during the credits they played Ants (which got cut off). Boyd and Leroi seemed to be getting into it, but Dave seemed kinda morbid. Carter was having a blast! Just before they played, Pauly had the girl from the Buns of Steel workout do an excercise routine for the audience. Sure enough, after WWYS, she came out on stage with Pauly and the Band. You should have seen the look on Dave's face!!! The whole thing seems kinda odd... I know Dave's popularity has soared and all, but that was the last place on cable TV I would ever look to see Dave play!!! Playing on a beach for Pauly Shore!! But, why not?? If this post is a re-run of previous posts, I apologize.... Later Seth Goldberg-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-Goldberg@Rochgte.fidonet.org That way, nobody can capture me.....They can use the hell out of me, but there ain't too much they can do to me. They can mess me up, play the wrong note, they can play a C, but they can't really destroy a C. All it is, is a tone...So I'm gonna come back as a note. _-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-Top Permalink
Thought folks might enjoy this response to "WARNING little serious DMB content" from the Wookie. Thanks also to Amanda for suggesting Dave be coach (although I worry he'd lose even more hair in such a stressful position) and to someone (I'm drawing a blank here, sorry) for suggesting the opposing team be Widespread and to everyone else who let me know they From WIFOY@DAVIDSON.EDU Sat Mar 25 11:57:12 1995 as you well, know, my heart is gone and a basbektball beats in my chest,albeit a small one. i watched another squeaker for arkansas, setting up a downfall to UVA on Sunday. UNfortunately, i guessed wrong, WFU screwed up, poor ball handling and clock management cost them the game. oh well, i picture a meeting of Everything and DMB on the court, with Dave Slankard as Up.... and the Skinny Little White Craig begins raining 3's and when they go out protect the 3, he passes off to Nate who says to his defender, be gone, and drives past him. The red hot price is on uniforms that the cheerleaders are wearing to cover their Chocolate and Vanilla Pudding. The Sax jam of the fans begins to roar, and DMB realizes that it's all coming down today, so they begin fouling. RIchard and Mark are on the line for much of the late portions of the game, where they rant like lunatics, drain free throws, and demonstrate that everything is the chosen few. After the game, and all games, opponents get the everyday syndrome from getting so beat up in the game.... Can ya believe he had DMB lose? :-) peace, will -------------------------------------------------------------------------------- rush remmatthewsweet everythingbigheadtood davematthewsbandbluestraveler samples __ Everything FAQ, Lyrics, and Essence Setlist File curator / \ avail via anon-ftp at acm.vt.edu/pub/evthing \__/ wifoy@davidson.edu = will foy'96 [ Phi Gamma Delta-Davidson] edwinmccainband otherpeople leftoversalmon rustedroot vanmorrison gratefuldead -------------------------------------------------------------------------------- Peace and hoop dreams to all, KarenTop Permalink
April 14th show in Greenville SC.... Yeeeee haaaaa!.... Don't be discouraged if you want to go... I've gone to about 7 shows without tickets and got in.... Later....Top Permalink
Is anyone taping the Wilmington, NC show on the 15th? I'm taking my best friend for her birthday and I want a copy of the show to remember it. If anyone out there is planning on taping PLEASE get ********************************************************************** * jennifer harman * "Do what you will, always * * jjharm@mail.wm.edu * Walk where you like, your steps * * CS Box 5108 * Do as you please, I'll back you up" * * Williamsburg, VA 23186 * -Dave Matthews Band * **********************************************************************Top Permalink
All right. I sent this before but it bounced. I hate computers. I'm sure this is in the lyric file, but the verse in Seek Up on 10/26/93: oh telegraph come from my granddad to tell me Granny's dead oh well I suppose each must fade away to nothing at all memories fall oh remember the way it used to be spread out and slow oh, (not sure here) I want him to call on the telephone and make it all ok ...and the manic fiddle jam to follow...I'm curious, were these a regular part of seek up pre R2T? I haven't noticed it in other bagbys I have from more recent dates. I'll keep listening. Any comments would be welcome. I didn't think this verse flowed as well as the others (maybe why it disappeared?) but the images are great. Anyway... lead singer is out of like South Africa, man, right? WAY. Catch the buzz clip. Hey, Dave, can you play Satellite for me? ____________________________________________________________________ Karen E. Appleyard University of Pennsylvania appleyrd@dolphin.upenn.edu School of Social Work "There's no place like home and none more pleasin' Than the southland in the springtime." -Emily Saliers ______________________________________________________________________ --Top Permalink
Does anyone know if Cry Freedom is a Dave original or a cover. It isn't listed in the FAQ as one of the covers, but for some reason I think it is a cover...Thanks in advance, CregTop Permalink
hoda howdy can anyone confirm for me wht wheter no i have no backspace can anyone confirm for me whether or not Dave is in fact playing with Toda toad the wet sprocket in california at the paladium and wheter in fact tickets go on sale tommorow? wounds really sounds really farfether farfetched but my friend said it was the real deal i dont know get back to me fellow minareters love love love is all around even though i have no backspace hkey mike baasTop Permalink
First 5 people to email me get an amazing copy of Fox Theater, Boulder CO 3/10/94 most amzaing interse most amazing intense jams ever please..be cool to each other dont bicker no rumors ask questionsa if you arent sure of things but pay attention so you dont ask things that have been said before hell, meail people personally if you want to know who anne is or if you want to know what dave murmurs in #34 these have all been asked many m any times love love is all around that is the only way dave wants it take care of you mike baasTop Permalink
I think DMB should challenge... PHISH!!! Well, Jerry can play guard for them to. All I know is I wouldn't want to guard Fishman. Then again Dave could just drive in the lane doing that scary scream from Halloween, he should be able to score with that move. I am now on spring break and it is snowing, that shouldn't happen, right? Peace BradTop Permalink
Will anyone be taping the Fort Collins show on April 30th??? Please let me know....Top Permalink
Hey all, doesn't make sense. We all enjoy seeing what the boys played at insert venue and date here. It is when people post their TAPE lists that problems arise.Top Permalink
Hi! I just got back from spring break, for which I had to desubscribe to minarets so as not to overload my mailbox. Now that I'm back, I'm wondering what I missed! Could someone please forward me a few of the digests from the past week so I can get caught up? I'd really apreciate it! Oh, and remember, send them to me personally, don't post them to minarets! Thank you very much! RobynTop Permalink
that the Dave Matthews Band is his favorite group of the moment. Looks like you never can tell where DMB will turn up next. "I remember asking why there lies aggression and separation where there should be love." --Rusted RootTop Permalink
Hey y'all, Just saw the almost circus-like mtv pauly shore show, featuring appearances by stephen baldwin, buns of steel lady, and of course, dave. dave looked pretty bored with wwys, and boyd looked like he was about to fall asleep on his violin. i hope they get to come out with a new single soon, i think they've had enough "mom, it's my birthdays" for a while.Top Permalink
Hey, yesterday that never got through. Sorry again, SteveTop Permalink
out in about an hour (I've heard some people say they sold out in twenty minutes, some in an hour and a half, but either way it was a short amount of time). the DMB. Does anybody out there know who they might be and what they might sound like? find interesting. One girl asked some guy in line about DMB and he said, "I've been listening to them since 9th grade. I'm from Athens, GA and that's where they're from so I saw them in concert alot". What was he on? Athens? 9th grade? And another person (who had waited in line for about three hours as I did) when asked about the group said, "Well I really like that What Could You Say song....it's cool and stuff". But on the other hand, I met someone who has tons of tapes and has been to many concerts, so maybe the crowd won't be completely clueless when #36 or Cry Freedom are played (if they are played, that is). believe me, I am). -Later -Jared Medina -Child w/o .sig fileTop Permalink
Desperately seeking the February 11, DMB show at the Tower also-looking for ANY live Jeff Buckley. jmheckle@rs01.kings.eduTop Permalink
Lee, a while ago you posted your list and was wondering if you still were intrested in trading... here's my list get back to me... 5/5/92 WTJU, Charlottesville, VA 11/17/92 Trax, Charlottesville, VA 6/21/93 Georgia Theater, Athen GA 7/22/93 Wetlands Preserve, NYC 8/19/93 Wetlands Preserve, NYC 10/1/93 Floodzone, Richmond VA 10/31/93 Floodzone, Richmond VA 1/29/94 Wetlands Preserve, NYC--Dave and Tim 2/5/94 Georgia Theater, Athens GA 3/10/94 The Fox, Boulder, CO 8/28/94 Vail, CO 11/09/94 Lexington, VA Horse Center 11/11/94 Wait Chapel, Wake Forest, NC 12/15/94 Austin, TX Liberty Lunch 3/17/95 Tower Records, WXRT FM Broadcast, Chicago to change daily The Samples 4/27/91 South St. Sea Port, NYC w/ 7/30/93 HORDE, NY 4/12/93 University of Michigan 4/16/93 Deerfield Acadmey 7/11/93 Pine Knob, H.O.R.D.E 9/19/93 Red Rocks, Morrison CO 12/4/93 Michigan State Universtiy 2/4/94 University of Iowa 4/20/94 State Theater, Ithaca Gibb Droll Band 10/9/92 The Vic, Chicago 1/29/94 The Academy, NYC Misc..... AS noted above, this list changes daily!!! Contact me for any setlist or other questionsTop Permalink
Hey Pat I was wondering if you are still interested in trading for this show... here is my list get back to me... ok, I'm offering a 2nd gen dat of providence 10/9/94 to anyone who sends 5/5/92 WTJU, Charlottesville, VA 11/17/92 Trax, Charlottesville, VA 6/21/93 Georgia Theater, Athen GA 7/22/93 Wetlands Preserve, NYC 8/19/93 Wetlands Preserve, NYC 10/1/93 Floodzone, Richmond VA 10/31/93 Floodzone, Richmond VA 1/29/94 Wetlands Preserve, NYC--Dave and Tim 2/5/94 Georgia Theater, Athens GA 3/10/94 The Fox, Boulder, CO 8/28/94 Vail, CO 11/09/94 Lexington, VA Horse Center 11/11/94 Wait Chapel, Wake Forest, NC 12/15/94 Austin, TX Liberty Lunch 3/17/95 Tower Records, WXRT FM Broadcast, Chicago to change daily The Samples 4/27/91 South St. Sea Port, NYC w/ 7/30/93 HORDE, NY 4/12/93 University of Michigan 4/16/93 Deerfield Acadmey 7/11/93 Pine Knob, H.O.R.D.E 9/19/93 Red Rocks, Morrison CO 12/4/93 Michigan State Universtiy 2/4/94 University of Iowa 4/20/94 State Theater, Ithaca Gibb Droll Band 10/9/92 The Vic, Chicago 1/29/94 The Academy, NYC Misc..... AS noted above, this list changes daily!!! Contact me for any setlist or other questionsTop Permalink
nhey if u wanna give me the extra copy i'de be more than willing to accept it a nnd trade u sometihng in return. thankx-amyOn Mon, 6 Mar 1995, Hey Amy, I was wondering if you are still interested in trading for this show, sorry it has taken me forever to get back to you!!!! write me back if you're interested... ( Dan Sundtsundtde@iac.net ) ( ) ( I believe in a sweet imagination ) ( An open road paved by inspiration ) ( +Freddy Jones Band+ ) ( )Top Permalink
sorry about that everybody, didn't mean for that last message to go to the masses. forgive my waste of bandwidth...... ( Dan Sundtsundtde@iac.net ) ( ) ( I believe in a sweet imagination ) ( An open road paved by inspiration ) ( +Freddy Jones Band+ ) ( )Top Permalink
speaking of dave being big did anyone hear rhyme&reason on channel-1 news the other day. it's a bit scary how big he's getting. thats cool its nice to see good musicans on mtv.Top Permalink
I swore I wouldn't post today, but then this brilliant idea came into my head when I put something in my tapedeck other than dave (shock!). How about dmb touring with fellow south africans Ladysmith Black Mambazo? What a show. Just to see dave dancing with them (if you've seen them, you'll know what I mean) would be a trip. And I think the two bands could do a kick ass "Township Jive" (we'd need Peter for keyboards). And ending with the south african national anthem...ya bo! You may recall this band from when Paul Simon duoed with them... they've been around a long time and have several cds...check em out. I saw and met them when they did a musical/documentary called Song of Jacob Zulu on Broadway (my sister did lights for the show). Stunning. Another peach of an idea from my yard to yours. Karen -- "Get your boots on......it's township jive time!" -LadysmithTop Permalink
A while back someone posed the question to all us Minareters that's been or once he left? I only saw one response to this question, but I'd be really interested to hear what others have to say... For all who may be interested, here's my opinion (I hope no one takes offense from my next words!) To start with I have to say that I really don't like keyboards. As a result, Peter never was my favorite in the band, but I first fell in love with the band when Peter was an integral part of their sound. There are some songs (Two Step, Warehouse and Lover are the ones I'm thinking of) that were better when Peter was in the band, but in general I like the sound of DMB without Peter. The jams may be shorter, 'cause the keys aren't there to fill up space, but I think the jams that are played now are much more interesting. and over again...cool live, but it gets old quick on tape.) clarity, I feel like there's less clutter without Peter in the background. I think each current member of the band sounds better now that Peter is gone. agree (and explain themselves much more eloquently than me!) and I'd like to hear from all of you. If you have anything more to say than, "you're right" or "you're wrong!" PLEASE post to the whole net and not through personal mail, as this sort of discussion is what we're supposed to be here for! basketball senario. (But don't you think you could have chosen one that put our boys on the winning team? :) Peace-Top Permalink
Sorry if everyone knows this, but what is the number to Terrapins (I think that is the name), where you can order XLII for $1.25 each at bulk rate? Thanks guys.Top Permalink
Hey everyone- listening to the 1/30/93 Zollman's Pavilion show right now - a show everyone should hear(it's not _that_ spectacular, but I dig it). I wish Peter was still around. some of the older shows, like this one, I really miss his work. No more 2001's, I haven't yet heard the newest versions of So Much To Say, but will it ever be the same? I just think he added a lot to so many tunes - like LLD which Shannon mentioned(and I'm listening to right now :) ), and many others. He had some sweet jams of his own, and he was great accompaniment during other's solos(most of the time IMHO) - a definite complement to almost every tune I can think of. Sorry I'm not very well versed in musical terms and such, but he made some beautiful music and I wonder how he feels about having left the band in retrospect... reasons why Peter left the band, but I read an interview w/ Boyd recently in which he says Peter left the band to build a house, because the road isn't exactly the place to do that. Thanks for reading - just my thoughts...Peace and a good night to all-Top Permalink
I am glad to see that Karen and my good friend Shannon are trying to put some life back into the net... Karen made me laugh for the first time in a long time, while reading posts... and shannon, although displaying what some may see as a negative post, is actually talking about the band... I personally agree with her and her point of view... And it is all right if you agree or disagree... but discuss it... in length if you prefer... or just personally to the person... I posted a day or two ago about ti possibly being Dave's Birthday... I got not one response...So... WHEN IS DAVE"S BIRTHDAY? Someone out there knows and I can't believe I didn't get a response... I must say that it was good to smile again while reading a post... I remember it always being like that... I know it isn't the same as it used to be and that it can't be because of the size of the net, but try... It can be a lot more fun then this... Use a little common courtesy and some netiquette (sp?) and you may be surprised at how weell things turn out... It should be a great place to talk about the band and better yet a great place to make friends... give it a try... Well, my face is a bout to hit the keybaord.... the hour is getting late.. l.,bhg ';,gfdlbh Whoops... sorry, I was feeling "Heavy Head"ed... Try to cheer up everybody... I hope this break did you all some good... I know I can't wait for mine... Latre...Top Permalink
Any UMASS'ers out there wanna trade? I just got some blanks so I'm ready to go. I have tons of tapes of all those bands that we all like here. Send me your lists. late, Neal ******************************************************************************* *Neal Kaiser | To get on NOUN's mailing list, please send * *315 Wheeler House | an email request to "nkaiser@ecs.umass.edu" * *UMASS Amherst | with "Subscribe NOUN" as the subject. * *"icculus@student.umass.edu" | March 29: the Baystate, Northampton, MA * *"nkaiser@ecs.umass.edu" | April 6: Fire & Water, Northampton, MA * *******************************************************************************Top Permalink
all i got was two pieces of mail for 3/27 just wondering if anyone sent me anything that i didn't recieve. DMB is playing the Acadamy in NYC April 5 but how to get the tickets is a damn good ???????????? Peace Mike Could I have been out of high school?Top Permalink
Hey everybody, just got back from the WSP concert here were I go to school. JACKOPIERCE was the opener and they closed the show w/ Typical Situation into their last song, it was very cool. I talk to Cary(Pierce) after the show and asked him if they play any other DMB songs and he says they throw them in a lot and really liked DMB. He was very interested in the band and asked about shows I had seen. He was wondering how DMB and BHTM figured out who headlined each night. Does anybody know how they did this??? It doesn't(or didn't) seem like there was any pattern in terms of where the band was playing geographically. I.E. in Cincinnati BHTM closed, but in Columbus it was DMB.... Milwaukee- DMB, Chicago-BHTM... Oh well just wondering...so check out JACKOPIERCE and you might get a DMB tune thrown in with it... I also wanted to apologize again for any personal posts that I inadveretly sent to the entire net. I was catching up on some trades and replying back to people and forgot that some of the posts I was replying to were sent before the listerv was corrected, sending it to the entire net instead of who wrote the post. So to anyone that I offened, I'm truly sorry.... On another note, to everyone I'm trading with, I'm catching up and will be in touch...(Greg tapes out hopefully tomorow). Once again thanks for the bandwidth.... ( Dan Sundtsundtde@iac.net ) ( ) ( I believe in a sweet imagination ) ( An open road paved by inspiration ) ( +Freddy Jones Band+ ) ( )Top Permalink
On the JackoPierce note- of the final meddley they do amongst many other tunes including some Samples...and Matt Scannell from Vertical Horizon(of AWARE disc fame) was messin' around w/ Minarets during soundchecks...pretty cool...he told me Carter is on their new album due out next week now...Check it out. Peace-Top Permalink
If someone could please give me some info. on the DaMaBa show in Memphis (when, where, tickets), I would be veeery, veeery thankful. I've been looking forward to seeing the band after a long break, they don't tour in the Deep South all that often. If anyone has stories about Super Jam IV in Athens, Ga. last summer they would like to share, let's talk. Personally, I thought that it was the best festival of the year, not some overcommercialized production like the one that was all over mtv (I'll stay away from the mtv subject). Sorry about the waste of bandwidth. "I'm only going if the doorknob turns I'm only going if the light comes on and I'm only going if I can boogie with you!" - WSP Sam Cammack asc4@ra.msstate.eduTop Permalink
I was just wondering if somebody could send me the DMB setlist for 12-10-94 in Santa Monica when they opened for Phish. I don't remember everything they played. I was kinda fucked up. thanksTop Permalink
howdy all, 1)explain it to me like i'm a 5 year old...how do i get to the lyrics file while i am on america on line? i would love to get to this file and get a print out, if anyone can help me with this i would be so appreciative. 2)is there a way NOT to be on the mailing list (my mailbox keeps getting tons o' mail, especially when i go away, and that is quite often) yet remain in touch with dave events i.e. tour dates, tv appearances, etc? 3)what are dave's summer plans and do they include anything in the dc area? thanks for answering my questions. p.s how do i get to the FAQ, and again, explain this to me like i am a 5 year old. thanks! later, bardoTop Permalink
Hey all, debate. I realize I am probably in the minority on this, but I feel strongly that the band is better sin Peter. My reason is this... I don't like it when Dave's guitar, which to me is the coolest sound out there is drowned out my Peter playing a sustained note on the keyboard. My best example of this is from Chapel Hill 2/11/93 during Jimi Thing. Even though Peter played some incredible jams, which I like a lot, as a whole I like hearing DMB without keys. It would be cool, however, if he could come to a few shows and play the harmonica for So Much To Say! I haven't heard it yet from the current tour, but I would love to get my "little hands" on a copy. If anyone out there has one of the shows in '95 with So Much To Say on it, let me know through personal mail and we can set up a deal. I have about 70hrs of DMB, so we should be able to set up a cool trade.Top Permalink
Popper and Trey, please respond personally. I have lots to trade. Thanks.Top Permalink
Hey, playing in the championship would be the HATED RCA EXECS!!!!!! Yea. The only reason that they would be in the championship game in the first place would be because it was in their contract. Their athetic ability sucks. Of course it doesn't help their cause that they are playing in suits that are way too tight and their ties are choking them. Their cheerleaders are all a bunch of robot- like creatures who only have one cheer, that they do the whole game, much to the dismay of the DAMABS fans, team, and cheerleaders. The cheer is called "What Would You Say"!!!!!!!!! Go figure. Enough lack-of-sleep induced rambling for now, time to go to bed. Later, SteveTop Permalink
What is all this about Dave being at the academy on April 5th?? Someone please help me someone.... THank YOUTop Permalink
Hey All, Orleans (2/17/95) and it looks cool. If anyone was at this show and taped it (I don't mean the thing on TV) I would love to hear from you. The set is much longer than the shows with BHTM, and I think it would make a nice addition. Anyway, get back to me if you have this show and want to trade.Top Permalink
DAMABA needs a break...they need to sleep...touring is hell... lets send the whole DMB crew and family some positive vibrations... just think "YOU ARE LOVED...." and everything will be alright. remember... everything that comes to you is a return of everything that came out of you....Top Permalink
I live in Florida and was wondering if anybody knows what dates the DMB will play down here. I know about the Orlando show 10 Apr, but I go to school in Tallahassee, which is far, far away, and I have a slew of classes the next day. So, if anybody has the 411 on gigs closer (maybe Jacksonville, Panama City, or even S. Georgia), I'd appreciate it. Thanks a lot... --matt.Top Permalink
Does anybody out there know anything about an Edwin McCain or TR3 mailing list or www site. Thanks, DannyTop Permalink
Personally, I like a lot of songs better in the Griesar-Era not because of spectacular jams by Peter, but the way he backed everyone up and seemed to tie it all in together so nicely. One of the 2001/Dueling Banjos intro to Ants and an amazing, marathon version of Jimi Thing, where IMHO Peter's keys add a lot of life to the song that it just doesn't seem to have on UTTAD or even at the Avalon in Boston (10/8/94, the last show I was at where they played it). If anyone hasn't heard this Jimi, Dave and the boys break into Prince (artist formerly known as) lyrics from "Sexy Motherfucker": be. All I gotta say is that Boyd's got a big Jimi Thing, and mine's not quite as big as Boyd's, so you decide for yourself." Just one more thing, I think Peter's keys add a certain sinister quality to songs like Dangerous Hours/Help Myself, Spotlight, and Rhyme and Reason, the dark, brooding, evil side of DMB. Especially Spotlight!!! Just Rambling, (again) Craig Cypher cypherc@cleo.bc.edu "Damn You, big city, black city, rising up around me, steal my soul away"Top Permalink
Thought you DMB fans could use some disgusting thoughts. BTW- I don't care that this is a waste of band width! ---------- Forwarded message ---------- would enjoy this. Bare with it because it is a bit long. Shannon ---------- Forwarded message ---------- ______________________________ Forward Header __________________________________ This is, by far, the most disgusting thing I have ever read. It made me lose my appetite, mabe perminetly. I am sure you will eat this up, and mabe even send it out to your starving minions. I wouldn't want to be sitting beside Kadee Niles when she reads this. Enjoy From nabmail!nab!ssweeney Thu Mar 23 16:06 EST 1995 UUCP; ________________________________ _______________ forwards shuddering a pair of cuticle scissors. tell the whole story. Apologies if it gets a little lengthy, but this yarn deserves to be spun well. not taken care of with sufficient diligence, and it healed incorrectly. Portions of the raw edge of the remaining foreskin bonded to the glans, a little bit above the lower edge of the glans. This left a series of "skin bridges", basically sections of foreskin which can't be retracted, because they are fused to the glans at one end and the shaft at the other. These varied in width from about 1/16" to 1/4", and were attached off and on over about 2/3 of the circumference. time before I even realized it was abnormal. Everything functioned properly, but there were a few minor problems with it which made me wish I could fix it. Mainly, 1. It was a cosmetic defect -- it didn't look good. 2. It was tough to keep clean under the bridges -- I had to swab it with a Q-tip now and then to knock down smegma buildup. 3. Some of the most sensitive parts of the glans were hidden under relatively insensitive chunks of foreskin, robbing me of the proper stimulation which was mine and every man's birthright. it corrected, but there were problems. Doctors cost money, and I didn't have it, and student insurance sure wasn't gonna cover it. Plus, the thought of some strange doctor chopping at my peepeehead gives me chills. cut it and bandage it. "Hell, maybe I can do that!", I thought. The problem was how to kill the pain. I experimented with cutting myself (with an x-acto knife), but seeing as it always hurt like hell before I even cut anything, I never went through with it. Again, the problem with the self-surgery approach was dealing with pain. There had to be some way of numbing the area, but how? One winter day, it hit me. If cold can make fingers go numb, then cold can also make a ManTool[tm] go numb. With this in mind, I pioneered a the "home penile self-surgery procedure". SURGERY KIT Cuticle scissors (1 pair) Rubbing alcohol (1 bottle) Antibiotic ointment (1 tube) Anti-bacterial soap (1 bottle) Gauze pads (lots, various sizes) Ice cubes (iodine added to water for sterility) Clean Washcloth (freshly laundered with lots'o bleach) Well-lit work area (the kitchen table) PROCEDURE Wipe down work area with alcohol. Clean penis with soap and water, then with alcohol. Wash hands thoroughly. Soak scissors in alcohol. Holding the ice cube with the washcloth (to prevent your fingers from going numb), apply the ice cube to the target area. Hold for 5 to 10 minutes, until area is numb. Using the cuticle scissors, sever the skin bridge as closely as possible to its connection with the glans. Then sever the foreskin end of the bridge in such a location as to leave an even edge on the foreskin. Use gauze pads and direct pressure to stop the bleeding, then apply antibiotic ointment and bandage. correctly, the healing process is a real pain in the ass. It also takes a certain state of mind to be able to cut your own flesh. I would kind of put myself into robo-man zombie mode for the operations, in that I never dwelled on what I was doing, I just mechanically plodded through all the steps without thinking about how totally gross it was. of the penis, and since I could only tolerate so much trauma to my dick in one session, it took 6 separate operations, spread out over a two week period, to cut/remove all of the skin bridges. Operation #1 (Day 1) 1/16" across. I held the ice cube on for 5 minutes. The ice caused a peculiar kind of "cold ache", but it wasn't that bad. I gingerly made the cuts, and sliced through with no pain at all. There was some minor bleeding, but because of the speed at which I worked, I had finished and had the gauze on it before the wound had any chance to bleed significantly. After about 10 minutes the bleeding was stopped and I bandaged it up, no problem at all. Only a tiny little speck of flesh had been removed, rather unimpressive looking. Operation #2 (Day 3) big game this time. The target was the mother of all skin bridges, about 1/4" across and very thick and meaty. Again, I made the preparations and applied ice for 5 minutes. surprised at how much I had to bear down on the scissors. This skin was surprisingly tough. I finished that cut, and then turned my attention to the cut on the foreskin side. Wanting to get it done quickly, I decided that two large, powerful snips should do the job. I bore down and made the first cut, and realized with a shock that IT HURT LIKE HELL. skin bridge on that end, the cold hadn't penetrated deeply enough, and it hadn't gone numb. So, I was left with a problem. I had a half severed bit of foreskin hanging off me, and no anesthetic. My only recourse was to finish the cut. I thought, "Shit. This will hurt.". So I lined up the scissors, closed my eyes, and as quickly and powerfully as I could, I made the snip. My prediction was correct; it did hurt (don't you hate when you're right about things like that?). I managed to avoid shouting out, instead opting for a few simple gasps and whimpers. future operations. bled much more profusely. It took about 20 minutes of direct pressure and a lot of gauze until I could staunch the main flow. Even then it kept oozing blood for a few hours. I spent the rest of the evening with nothing on below the waist, sitting in front of the TV with a few brews (this became standard procedure for all forthcoming operations). Any motion tended to make it break open and bleed again, so I moved around very little. I was functioning (that is, walking) almost normally again by the next day, but it took about 5 days before this one completely stopped oozing blood. another brew, I spotted IT, the severed hunk-o-foreskin that I had left on the table. It was of fairly good size, about 1/2" by 1/4" and maybe as thick as a piece of bacon. Suddenly, strange thoughts entered my skull, and a raging mental battle between good and evil ensued. destiny." diseases!" diseases in there, you already got." fingertip. BFD." chewy, kind of like biting a little piece of rubber. I chewed for about 5 minutes, but didn't make any progress on breaking it down, so I swallowed it. It had a little bit of blood flavor at first, but after that it had no flavor at all; rather disappointing in that respect. Maybe I should have cooked it. Operation #3 (Day 10) longer (10 minutes instead of 5), so there was no problem with pain. Not nearly as much bleeding, but still a respectable amount. Any hard-on would tear the wounds open and start them bleeding again. This would be a problem for about 3 or 4 days until the wounds had healed sufficiently. Basically, I had to spend a long, long time without even thinking a nasty thought. Of course, when I was asleep I had no control over the process, which would always result in me waking up with a dick that hurt and bloody bandages. I was really lovin' life at moments like these. Operation #4 (Day 12) bonus of having a small vein (about 1 mm in diameter) running through the skin bridge. Now, the blood supply for the penis mainly runs through blood vessels buried deep inside. When you get down the the small vessels, the circulatory system becomes more of a spiderweb, with redundant paths going to every point. So I knew it wasn't actually dangerous to cut it, but it was still a kind of psychological obstacle. I expected this one to be a heavy bleeder, and I wasn't disappointed. It took about a full hour of direct pressure to get the severed ends of the vein to close up. Otherwise, not too much of a problem. Operation #5 (Day 14) but due to changes in the way skin tension was being applied to the remaining bridges (because I'd cut some others away), one small bridge was getting a lot of stress and starting to hurt. So I chopped it quick and easy, no real problems. Operation #6 (Day 15) transferred the stress to the next bridge down the line. So even though I had about 3/4" of flesh left to cut, I resolved to do it all at once in one last cutting frenzy. complete (maybe 1 minute total), which gave the blood a chance to flow. I had to stop a few times and wipe away blood so I could see what I was doing. Strangely, this didn't bother me at all. It seemed perfectly normal that I should be wiping up copious amounts of blood flowing from my bleeding pecker which I had sliced open myself. Actually, it seemed kind of cool at the time, which led me to speculate at the time that I had gone insane, which I also thought was pretty cool. dripped on to the chair, it went quite well. The only thing that really grossed me out was when I noticed I had blood all over my hands. If any psychoanalysts want to analyze that tidbit for me, feel free, though I really don't care. 1. There are no scars to speak of, just a few bumps on the glans. This is because I didn't trim the flesh quite close enough in a few spots. They kind of resembling little warts. I thought about going back and trimming them off, but I kind of like 'em now. After all, it's not everyone who has the privilege of appearing to have warts, without actually being diseased. 2. Without the skin tension holding things back, total dick length has increased by 1/4". (Of course I've measured the length of my dick. Like you haven't?) 3. It's a great topic for dinnertime conversation. Women generally seem to find it quite interesting. Men generally turn kind of pale. contemplating a few more self-surgical procedures. You know, mole removal, wart removal, nose jobs, the whole vista of cosmetic surgery. I'll need some help for that mole on my back, which means training an assistant. Ah, the future looks interesting indeed ... From rob@shapiro.comTop Permalink
hopefully soon, my friends and I will be starting a new list that discusses the music of many different bands, however we will drop anyone from the list for flaming, unless its flaming a bad trader. Does this interest anyone or should we not pursue it further? THANKS-RESPOND PLEASETop Permalink
I'm looking for a few specific shows. If you have any or all of them please let me know. I've got a/b 50hrs. of DMB, 50hrs of PHish, 10hrs. of EMB, 10hrs of RR and many other bands. 1. Athens, GA - June 12,1994- Super Jam IV - Athens Fairgrounds 2. Birmingham, AL - October 15, 1994 - Oak Mtn. Amphitheatre (w/ PHISH) 3. Boone, NC - November 10, 1994 - Legend's - (w/ Rusted Root) 4. Atlanta, GA - December 27, 1994 - The Fox Theatre 5. Birmingham, AL - December, 28, 1994 - Boutwell Auditorium Also does anyone have any of the European shows? I'd like to get my hands on some of those too. Please, email me personally a/b these shows. Thanks in advance. SomTop Permalink
Hey, you would send me your lists. I have a limited list, but would be willing to send mine if so desired. Thanks a lot CoreyTop Permalink
Has anyone else in the nyc area been sitting by the phone listening to hell-radio Z100 waiting to get dave tix? For the last few hours I have, and just listening to the shit they play has made me a mean,bitter person. Is it true that calling in and winning tix is the only way to get them? At this rate my anger towards such terrible music mixes will force me to beat the hell out of someone...of course, don't tell Z100 I said that, 'cause if they give me tix to see dave I'd be the Z100 poster boy... Ok, enough negativity from me for now...bye, jon.Top Permalink
Well, formation (lunch) at the United States Naval Academy there was a pep rally. Kicking it off, on huge speakers blasting all over campus was none other thatn the Dave Matthews Band, unfortunately it was only on cd, but it still had a profound effect. Some people might think it's crazy to say that DMB "does" things to people, but it does. People walking out of classes were smiling, laughing, and dare I say even singing and dancing. It really livened up the day. Seeing how much we enjoyed the band on cd I was wondering what it would take to get them to play at a venue, say here? If anybody out there has a clue, please let me know. We've got an arena, a small hall, a radio station, the works, anything a group could want. So any help would be appreciated. "If you.ve never seen how bad it can get, how can you honestly smile when it's good?" I'll tell you, we were all smiles today.Top Permalink
howdy fellow minareters, i finally heard #36 for my first time last night. it was on a boot i got the other day and it is ABSOLUTELY AMAZING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! i am now on a mission. i am looking for lotsa versions of #36. if anyone would be so kind as to let me know what tapes they have with #36, i would be willing to trade my shows. i can send my shows to those who are interested. thanks. later, bardoTop Permalink
Heya- This is a tape grovel if I've ever seen one- Does anybody have a digital copy of 12-9-93 DMB w/ Tim Reynolds on electric? I want this tape on DAT and I have many gems to trade in return (DMB and lots of others), including the night before which also has Tim Reynolds. Let me know- and thank you Fed Federico.Cribiore@directory.Reed.eduTop Permalink
Well msteckle when I decided to check out the DMB newsgroup. It is so void of knowledge and life it's sad that Daves name is attached to it. It had some trade posts which can be expected but then there were ?s like" How is Dave's 1st album." I said wait, hold on a minute here. Not that I am for flaming people or have ever flamed anyone but I could only imagine what Death threats and hilarious rags this would bring about if it were posted to minarets. was going to allow us to have the same benefits, but with out the mail i was all for it. Instead it is a disturbing place wich I hope none of you will venture to just for your own mental stability. Well anyway, I guess not everyone is into DMB as much as the people on Minarets or else they would stick it out and get that mail or digest and smile when they get it because it is about Dave, Carter,Steffan,Boyd,& Leroi whom put out some of the lovliest tunes known to man. Let the MTVEERS be and let them post there sillyness to the Newsgroup cause we still got our MINARETS. (I am really starting to dislike WWYS).Top Permalink
Does anyone out their know Andrew Corbett?He used to work with DMB at either Trax, or the Floodzone. I just want to get in touch with him to send him some free stuff. It's because of him I got to meet Dave & Co. I would just like to thank him. I think his band might have opened up for the Samples recently. If anyone has his address or knows this great man E-me. Thanks Jeruuu "Should I spend my adolescent days wearing tie dyes or Vaurnets?" Prep school hippie-PHISHTop Permalink
M Umm..sorry to waste bandwith with these kindless bunk and display of stupidity...but.. Sean MCGHIE..I have lost your email adress and we need to set up a trade. DMB Content(remember..no backspace): My friend said he was watching PBS and there was some thought talk debate type show on and they opened the show with Best of What's ARound. Dave a has not only conquored private TV but now he is taking his act to PUBLIC television. On another note..another amie said she heard a musac version of a Dave Song...not sure which but that just KILLS me! Got my tickets for May 13 Paladium in Los Angeles. Dave comes west! fuck ya!!!!!!!!!!!!!!!!!!!!!!!!! Hope he headlines cuz dont care much for Todd and the dudes. thanks for all the precious reso responces to my tapes offer.. so far out of all that sent me, i denied one guy due to rudeness.... Also, everyone on the count of 3 yell "Japhy is a saint!" 1 2 3 JAPHY IS A SAINT!!! Carter BEushit Carter "Carter Beauford on the drackudurackadarackadrkaduedkause!" love love love love(you know the rest) mikeTop Permalink
I can't figure this out. Everyone's talking about the newsgroup alt.music.dave-matthews, but my newsserver (NEWS.CLOUD9.NET) doesn't seem to carry it. Anybody know how I can get it on there? Also - about the peter debate it seems I have stirred up (2 weeks later?). I think certain songs (2 step!!!, lover lay down, cry freedom, SMTS) are better off with the keys, but that others (jimithing, dancing nancies) are better off without them. I agree that the music sounds less cluttered, and that it gives boyd and leroi opportunities to showcase their own talents, but the jams really aren't what they could be otherwise. Funny thing though, I think the newer versions of warehouse w/o keys are better - 'specially in the chorus "and here i sit..." -dan dans@cloud9.netTop Permalink
A lot of people on the net are asking about places to order cheap blank tapes. In New York there's Uncle's Stereo which sells blanks cheap - Maxell XLII-S 90 for $1.75, MX 90 for $2.29 each, for example. They have all major kinds - Sony, Maxell, TDK, etc. I didn't know that they handled mail order (in fact I still don't) but in Sunday's paper they had an 800 number. I don't work at this place or anything, but I do get all my blank tapes here. It may be worth trying for mail order. No promises, just trying to help.... Andy andynyc@panix.comTop Permalink
For those who haven't been able to get the newsgroup, although I'm not even going to bother, since the traffic has slowed down a little here on minarets, but for the "alt" groups of which DMB was set up ususally you have to tell you server company or university technologies department that you want to receive this becuase there a many "alt" groups starting every day and the sheer number would overload most of the current servers memory. send an e-mail message or call to the administration at your server. pat pjuette@orion.it.luc.edu I can't figure this out. Everyone's talking about the newsgroup alt.music.dave-matthews, but my newsserver (NEWS.CLOUD9.NET) doesn't seem to carry it. Anybody know how I can get it on there? Also - about the peter debate it seems I have stirred up (2 weeks later?). I think certain songs (2 step!!!, lover lay down, cry freedom, SMTS) are better off with the keys, but that others (jimithing, dancing nancies) are better off without them. I agree that the music sounds less cluttered, and that it gives boyd and leroi opportunities to showcase their own talents, but the jams really aren't what they could be otherwise. Funny thing though, I think the newer versions of warehouse w/o keys are better - 'specially in the chorus "and here i sit..." -dan dans@cloud9.netTop Permalink
From Good Homes, a band that opened up for DMB during some of his fall tour, has a major record label debut that comes out on Tuesday March 28. It is called "Open Up The Sky" and is on RCA. It should be in most stores and if it isn't just ask for it. They also have another album called "Hick-Pop." They are also touring and if anyone would like to know the dates, e-mail me back. Anuj A. Shah Boston College shahan@cleo.bc.eduTop Permalink
Hey, everybody, I just wanted to tell you about a new band I have heard a lot lately in the Richmond area. They are called Delusions of Grandeur and play a nice blend of covers and originals (very dave-like). They have a singer/acoustic guitarist, sax, bass, and drums. They even play some dmb (check out the smoking version of Halloween). Oh well, go se em if you can, you'll get a kick out of it. Here's the spring schedule, so if you're Richmond or Charlottesville bound...... Thursday, March 30......Buffalo Joe's Cary St. Richmond Thursday, April 6.......Moondance Saloon, 9 N. 17 St., Richmond Thursday, April 13......Greenskeepers, UVA, Charlottesville (tentative) Thursday, April 20......Moondance Saloon, 9 N. 17 St., Richmond Friday, April 21........University of Richmond, Greek Theater (4pm) plus some stuff on weekends at random fraternities at University of Richmond, UVA, and William and Mary. for booking, call Sean Winter at 804-662-4338 Check em out!!!!! Thanks.Top Permalink
Heavy Head..sorry for not posting...I lurk too much because I dont have a backspace key and I am digestified... I know Dave is a Cancer ...if this is the month for Cancer, it very well could be his BDAY. LOVE! mikeTop Permalink
hello all my friend just informed me of this list; i've been enjoying DMB since the beginning of this year with the purchase of ..things. after reading the FAQ, i've come across a few thoughts to share... greg's stick is a 10 string instrument, containg five bass register strings and five guitar register strings. actually, the bass register of a stick extends slightly below that of a normal bass, as does the stick high end extend slightly above that of a guitar. it is an incredible instrument, wherein one person may play very cool stuff all by himself, sounding and filling out the parts of a large group. greg howard is one of the better stick players out there, and DMB was cool enough to include him in their scheme. also, greg and tim played together for a while, making some recordings along the way. i hope i haven't been covering old news with this; if so, enjoy my perspective. :) thanks! Dan Howarth (dth@gas.uug.arizona.edu) Chapman Stick, BassesTop Permalink